There aren’t many things better for the soul of a struggling football coach the day after his season ends with a thud, than some rock & roll therapy in the form of taking in a live band with his wife. Football is a grind. It takes a lot of time and energy and it is a huge commitment. When it is over, the body, mind and spirit are all due for a factory reset and there was no better way to start that for this off-season than to spend the evening with my wife and catching one of the 70’s most underrated bands.
I’ve been fortunate enough to catch Foghat twice before. Back in 2014, they were opening for the equally awesome Blue Oyster Cult and Bachman-Turner Overdrive at the Ohio State Fair. Again in 2019, and coincidentally the very first live band reviewed on this page was Foghat opening for Bad Company in the Dayton area. This time was different, though. This would be my first chance to see Foghat as the headliner and able to play a proper full set.
Led by their thundering, founding drummer; Roger Earl, the quartet kicked off the evening with their opening staple “Chateau Lafitte ’59 Boogie“. Right from the get-go you could tell that the thumping bass and driving, slide guitar that are synonymous with the Foghat sound were going to be firing on all cylinders. The previous times that I had seen Foghat were with the long-time and charismatic front man Charlie Huhn on lead vocals. Replacing him in 2022 has been Scott Holt. I must admit, Holt’s vocals has added some needed power to these tunes. This is particularly evident on their newer songs and on the heavily blues influenced songs like “It Hurts Me Too“. Holt is no slouch, either, as a second guitarist. The band brought fresh life to jams like “Drivin’ Wheel” and “Stone Blue” and the aforementioned newer songs off of their recent album Sonic Mojo.
In case you didn’t know, the album was released in 2023 and spent 39 weeks atop of the Billboard Blues charts. They played “She’s A Little Bit of Everything” and “Drivin’ On” from that record. While it is obvious that fans are there to hear the hits, the band is even touring this year as the Slow Ride 50th Anniverary Tour, the new songs and the record itself work so well because they are keeping it simple. The band isn’t trying to re-invent the wheel. They are playing old school rock & roll music rooted in the blues. That’s what made them famous and that’s what is keeping them relevant nearly 55 years after their 1971 founding.
Of course, the trio of hits that ended the show were certainly the highlight. Their famous cover of Willie Dixon’s “I Just Want To Make Love To You“, “Fool For The City“, and the tour’s namesake iconic track “Slow Ride” were all received with crowd approval and applause. “Slow Ride“, the band’s era defining track that highlighted the soundtrack for one of my favorite movies of all time; Dazed and Confused, was the perfect cap to the night.
At 79 years old, Earl and his band mates appear to be having a great time still up there on stage and the songs sound great. That formula seems to be a recipe for success and is a testament that they’ve been able to carry the show forward all of these years. I don’t know how much longer Earl will want to remain on the road, but if he chooses to, he has surrounded himself with a band that seems to have the stamina to keep this thing drivin’ on.




