Category: iron maiden

Iron Maiden defying the sands of time on current tour

August 2, 2005. That is where this story, and my Iron Maiden journey, begin. That date would be the first time that I’d see the band live. It was also the last time that they played Columbus, Ohio. Columbus is the closest big city to my rural home. In the subsequent tours since that one, I’ve traveled to Detroit, Cuyahoga Falls, Indianapolis, and Cincinnati to see the band; hoping that they’d someday return to Columbus.

As fate (and my luck) would have it, the mighty Iron Maiden announced a Columbus date for their 2022 World Tour, so I immediately bought tickets for myself and my normal crew to be able to attend. In a sick twist of irony, the Columbus date would be on a Friday in October. I’m a high school football coach and my favorite band would be returning to my city on a Friday night in October. You can’t make it up.

As Friday October 7th was approaching, I resigned myself to the fact that I’d have to miss the gig, I decided to gift a pair of my tickets to my metalhead cousin and his son and the other pair to one of my buddies from high school who hadn’t had the chance to see the band live before. They had a blast and enjoyed the show. That made not being there in person a slightly less bitter pill to swallow. Luckily, for myself, the story wouldn’t end there.

The above photo was taken in 2012 before some of my usual Maiden crew made the road trip to Indianapolis to see Iron Maiden and Alice Cooper on their Maiden England tour. The young lady that is circled in the picture is my daughter. She had no choice but to grow up with Iron Maiden in her life, because while she was a child, it was I who controlled the radio. As a toddler she would sing “Run To The Hills” word for word. I don’t know what kind of father that makes me, but it is the truth. I’m not going to sit here and tell you that she doesn’t listen to Taylor Swift and the atrocity that is Nicki Minaj. She does. She’s a fifteen year old girl. However, in recent months, those playlists have started to pick up steam in the right direction. Lately, I’ve been more likely to hear Def Leppard or Metallica coming from her room, than I am to hear Megan’s Stallion or whatever passes off as music these days. I’ll take that as a win!

She was pretty upset with me in 2019 when I took my brother-in-law to the Cincinnati show instead of her, and she was bummed that the Columbus date landed on a day that I had coaching responsibilities and her cheerleading. On Saturday, the next day, she suggested we go to Detroit the following day and see the tour there. I obliged and on Sunday afternoon, after my Buffalo Bills kicked Pittsburgh’s ass, we headed up U.S. 23 and voyaged up to the Motor City.

My two prior Detroit trips to see this band were at the Palace at Auburn Hills; a massive basketball arena that was seemingly an hour north of the city. This year the band was playing downtown in the city’s recently built Little Caesar’s Arena, home of the Detroit Redwings hockey club. This venue would prove to be far superior as a venue and a much easier drive than trekking all the way to Auburn Hills.

DONINGTON ON BAIN, UNITED KINGDOM – JUNE 15: Sharon den Adel and Robert Westerholt of Within Temptation perform at Day 3 of Download Festival on June 15, 2008 in Castle Donington, England. (Photo by Chiaki Nozu/FilmMagic)

Opening the night were the Dutch symphonic metal band Within Temptation. Fronted by Sharon den Adel, this band is one that I have wanted to check out for a long time. There are a lot of bands from this genre that I’ve been exposed to by listening to bands like Sabaton and Amon Amarth; but simply haven’t been able to see due to them not touring the States very often. I’ve seen other opening bands receive lukewarm to even poor receptions (cough, Bullet For My Valentine) by the tough Iron Maiden crowd. Within Temptation, however, were received well and put on a great set to warm up the event. I’d certainly like to see them again, perhaps in a smaller venue and a longer performance.

Within Temptation Set List 10/9/2022 Detroit

  1. The Reckoning
  2. Paradise (What About Us)
  3. Faster
  4. In The Middle Of The Night
  5. Stand My Ground
  6. Supernova
  7. Don’t Pray For Me
  8. Raise Your Banner
  9. Mother Earth

After their spirited effort, the wait began for the main event. To this point, my kid had only heard me talk about what a Maiden concert experience was like, but now she was about to go through it for herself. Normally, I’m one of the head-banging masses that’s playing air guitar for two hours and belting out every lyric to every song. For this first time gig with my daughter, I took a more subdued approach and really embraced the show and the atmosphere. In all honesty, it is becoming more rare that the kid wants to hang out with her parents. In a story as old as time itself, she’s obviously becoming more independent and has her own friends, a boyfriend, cheerleading and FFA to occupy her time. So, when she does actually want to go to a concert with her Dad, I kind of turn into a softy and just relish the experience.

I’ve seen enough concerts throughout the years to be able to sit back and just enjoy it from time to time. This was one of those times. After a short wait, the familiar opening of U.F.O.’s “Doctor Doctor” blared over the P.A. and the mad dash began for four generations of Maiden fans back to their seats or the pit area for the long anticipated event. I’ve said this about a few bands that I’ve seen this year, and I’ll say it again, I think that perhaps the “layoff” for touring bands over the past few years may have been beneficial. Not that Maiden were struggling by any stretch. The Cincinnati show in 2019 remains the greatest overall concert I’ve ever seen; but there has been an urgency since live music has returned that has really been noticeable. They had three years of pent up aggression needing to be released and as always, Iron Maiden absolutely delivered.

This tour is a continuation of the 2019 “Legacy of the Beast” tour, however during the “down time” they put out a new album; the fantastic Senjutsu. For this 2022 trek, they changed up the set list a bit, so as to be able to include a few tracks from the new album. In fact, they opened the show with the first three songs on the record. When the album was first released, I recall lead vocalist Bruce Dickinson opining that the opening title track would someday make a great opener for a live concert. While I love the album, I didn’t share his sentiments when listening to that song. However, I was wrong. The thundering title track opened the show flawlessly and the band has never sounded better. I don’t know how they’re doing it but not only are they on the top of their game audibly, the visual aspects of the show continue to be a spectacle to be seen. I soaked in the opportunity of my child witnessing a Samurai version of Eddie (the band’s mascot) take the stage on the opening set, let alone the iconic Trooper Eddie, the giant Icarus inflatable, flame throwers, a replica WWII Spitfire bomber “flying” over top of the band performing below, and plenty of pyro. Things that up until then that she’d only heard me describe, she’s now seen on her own. It was a good night, even though she didn’t hold up her end of the bargain of staying awake on the ride home to help me combat the boring drive home. She didn’t even make it an hour into the trip home and was asleep before we’d even reached Toledo. Even though we didn’t make it back home until 2 a.m. and that made for an unfortunate 6 a.m. wake up call the next day, it was a trip that was well worth it. The experience was one that I hope will have a sequel on a future tour….

Iron Maiden Set List 10/9/2022 Detroit

  1. Senjutsu (2021)
  2. Stratego (2021)
  3. The Writing on the Wall (2021)
  4. Revelations (1983)
  5. Blood Brothers (2000)
  6. Sign of the Cross (1995)
  7. Flight of Icarus (1983)
  8. Fear of the Dark (1992)
  9. Hallowed Be Thy Name (1982)
  10. The Number of the Beast (1982)
  11. Iron Maiden (1980)
  12. The Trooper (1983) *Encore*
  13. The Clansman (1998) *Encore*
  14. Run To The Hills (1982) *Encore*
  15. Aces High (1984) *Encore*
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Turning 40: The Number of the Beast

The greatest metal album of all time turns 40 today! That distinction goes to Iron Maiden’s 1982 release; The Number of the Beast. While the band’s two prior releases are special in their own right, TNOTB saw them reach their full potential and kicked off a run of classic albums that would dominate the rest of the 1980’s.

Featuring the genre’s best bass player, founding member Steve Harris, this record saw the band go from supporting act to headliner around the world. It would be the last one with drummer Clive Burr but the first with former Samson singer Bruce Dickinson. The album is Burr’s finest accomplishment on the sticks and Dickinson’s voice transitioned the band from more of a amateur hard rock outfit to something entirely different but meeting Harris’ vision for the group. Soaring vocals that rivaled those of Ronnie James Dio and Rob Halford took them to new heights. Childhood friends Dave Murray and Adrian Smith traded off guitar solos on the record and again combined with Harris to form the signature “Maiden gallop” that their songs are still known for to this day.

The frightening album art, along with it’s title, unfortunately led to the record being pigeonholed as some sort of devil worship. Perhaps the creative lyrics went over the heads of many critics of the time, but the stigma was attached to the band for several years. The record led the band to fall victim to folks burning and smashing their albums and protesting their concerts in the United States. Nonetheless, all of the extra attention caught the eye of teenagers looking for something different and was a commercial success. It became Iron Maiden’s first record to reach the Top 40 on the U.S. Billboard Charts. It produced two iconic singles in “The Number of the Beast” and “Run To The Hills” and was certified Platinum in the U.S. and virtually everywhere else in the world. This band has sold over 85 million records and 20 million of those were just this album alone. Its staying power and longevity speak for itself.

I discovered the record as a thirteen year old coming of age moron in roughly 1999, while going through my dad’s old cassette collection. Remember cassettes? I was immediately drawn to the cover art; as any thirteen year old boy probably was back in 1982. Upon placing the cassette in my stereo I was greeted with the heaviest thing I’d probably ever heard to that point. Invaders doesn’t have some melodic, build up intro like the more modern Maiden songs do. From the first note, it is an in your face metal onslaught. Most metal bands in the 80’s were making songs about girls and parties. Not Maiden. Invaders tells the tale of some ancient Saxons being invaded by and falling victim to Norse Vikings. Probably not the type of music that was popular with the chicks but nevertheless the type of music that would inspire future metal titans like Amon Amarth and Sabaton.

The second track is one of the album’s absolute gems and has the aforementioned type of intro that the band would become known for. Children of the Damned starts off with a melodic intro and was inspired by the TV show Village of the Damned. The song starts out nice before transitioning into a heavy metal classic that showcases the band at their peak. Rarely played live, I was able to hear it performed in Detroit on the Book Of Souls World Tour in 2016.

The next track is The Prisoner which was based off of the British TV show of the same name. It’s another song that is rarely played live, but I was fortunate enough to catch it in Indianapolis in 2012 during the Maiden England tour. The song was inspired by a character in the show who is taken hostage in a village that might seem to be too perfect, but in actuality is a prison as there is no free thought or freewill.

22 Acacia Avenue is another underrated masterpiece that is probably due to it’s lyrical content; but as a song it flat out jams. The song is a sequel to an earlier song about the band’s favorite made up (or was she?) lady of the night. First appearing in 1980’s Charlotte The Harlot, this song tells the third person view of her life before the narrator ultimately rescues her from her life of sin. In Charlotte the Harlot, the song is much more upbeat and has a very punk rock vibe to it. However, in 22 Acacia Avenue, the corner she works on and the song warns of the dangers of the lifestyle she has chosen on the streets. I hope that someday I will hear this one performed live.

Then comes the aforementioned, controversial title track. Contrary to popular activist beliefs at the time, the song is not an ode to Lucifer. Rather, the song is the reflection of a nightmare that Steve Harris had after viewing the sequel to The Omen. A quick look or listen to the lyrics could have calmed a lot of the outrage that this song created. Rather than running from it, the band embraced it, and rode the momentum of this moment all the way to the bank and then some. This was the second single released on the record and it has become one of the defining songs in the history of heavy metal. They’ve played this song on every tour I’ve seen them play.

Run To The Hills was the first single from the record and is probably the most popular and well known song from the band, at least here in the States. On the very rare chance that a radio station will play any Maiden music, you have about a 95% chance of it being Run To The Hills. From the catchy intro and piercing vocals the song was an instant hit and is usually in the set list when the band tours. The song is a back and forth tale from the perspectives of both the Native Americans and their conquerors from Europe. It’s an absolute metal classic.

Arguably their most popular song is followed by the “weakest” track on the record. Gangland isn’t necessarily a bad song but it doesn’t seem to fit. Written by drummer Clive Burr and guitarist Adrian Smith, it is from the perspective of life dominated by organized crime. Again, it isn’t a bad song, but when placed next to the song that it replaced on the album you can see why Steve Harris now believes they made the wrong choice. However, now knowing that this would the last album to feature Burr on the drums, I believe he delivers one of his all time best performances in this song. So, while the song isn’t catchy nor all that memorable in the Maiden catalog, it does show Burr going out in his prime with one of his best performances.

Total Eclipse was initially left off of the album and was instead used as the B-Side for the Run To The Hills single. This was the decision that Harris regretted. It’s a much stronger song than Gangland and would have been better served on the record. When the album was remastered and re-released in 1998, it was added as it should have been to begin with as it is a great straight ahead metal jam. I’d love to hear this one live.

The finale, as is common with this band, is the strongest track on the album. I’ll go further. I will opine that this is the greatest heavy metal song ever written. Throughout their career Iron Maiden have been known more so for their massive “epics” than their singles. They’ve released some doozies, like Rime of the Ancient Mariner, Phantom of The Opera, and Seventh Son of a Seventh Son. The crown jewel of them all, though, is Hallowed Be Thy Name. It is the one that closes most Maiden shows. I assume this is because it is too good to follow with something else. Lyrically, it tells the tale of a man that is awaiting death at the gallows and the reflection of his life during his final moments. The song has everything that a heavy metal song should have. It’s got a build up intro. It has, arguably, Dickinson’s finest vocal performance. It features the classic Maiden gallop and twin guitars trading off masterpiece solos. Burr’s drums and Harris’ bass play are out of this world as well. All metal songs since and in the future should be measured against it and THAT alone is the deciding factor in making this the greatest metal album of all time. It would still be considered an all time classic without Hallowed, but its presence elevates it to the #1 slot in my not so humble opinion.

Cheers and Happy Birthday to The Number of the Beast.

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The Iron Maidens headline trio of tributes in Columbus

Live music is coming back, and it’s a beautiful thing. While last night’s show featured a trio of high quality tribute acts, even the big tours are starting to get the wheels rolling towards big shows as well. The concert last night was at a new, to me, venue that exceeded my expectations. What they’ve got going for them first and foremost was excellent hospitality. I’ve had VIP at both The Newport and ExpressLive (or whatever it’s called these days) and never been treated as exceptionally as we were last night at The King of Clubs. While this new venue is in a tough part of town like The Al Rosa Villa was, they’re offering something that the rest of the city hasn’t for quite some time. Just being frank, compare the largely utter garbage that The Newport and Express Live are booking compared to The King of Clubs and you’ll see why I have hope for this place. The joint is being ran by a heavy metal vocalist and the talent they are booking are filling the demand for hard rock and metal fans in the 614. The former Al Rosa was not only in a tough area and it was cramped; and while we all have fond memories there, this new venue appears set to offer the same music but with more space and much superior hospitality. They’re pushing this narrative at The King of Clubs, where they are going to be Ohio’s finest entertainment venue and everyone is treated like royalty. Well, to my surprise, they delivered on all of the above. I want to see this venue do well and the surrounding area come up with it.

The opening act were Sweet Leaf, a Black Sabbath and Ozzy Osbourne tribute. They were a fun way to kick off the night and until you hear these songs live, it’s easy to forget just how heavy Sabbath really was. In today’s world of growling vocals and muddied distortion, what was once considered heavy could be forgotten. Not the case with Sabbath though. Those old, doomy riffs still hit today. Their lead singer and Ozzy lookalike took time to take a photo with my daughter who was with us celebrating her 14th birthday to see the evenings headliners. Much appreciated.

Sweet Leaf set list

  1. I Don’t Know (Ozzy cover)
  2. Sweet Leaf (Black Sabbath cover)
  3. Bark at the Moon (Ozzy cover)
  4. I’m a Believer (Ozzy cover)
  5. Crazy Train (Ozzy cover)
  6. Suicide Solution (Ozzy cover)
  7. Paranoid (Black Sabbath cover)
  8. N.I.B. (Black Sabbath cover)
  9. War Pigs (Black Sabbath cover)

From there we’d be treated to the Steel City Crue, who came from Pittsburgh to bring the Motley Crue goods to Columbus. When people think about or listen to Motley Crue music, I think the general consensus is fun. At least for me, I just think of good times, anyway. These guys went the extra yard and the entire four piece looked and sounded like their counterpart from the real Crue. That’s what the people want. When they go to a show like this, they want it all. It was my first time seeing either of these opening acts and they both exceeded my expectations. Steel City Crue didn’t only focus on the radio hits either, and made sure to play some of the old, heavier Crue as well; which was very well received. They also made sure that everyone knew that they were from Pittsburgh so they also didn’t like Penn State and of course did the obligatory “O-H” “I-O” back and forth with the crowd.

Steel City Crue set list

  1. Shout at the Devil
  2. Doctor Feelgood
  3. Take Me to the Top
  4. Wild Side
  5. Red Hot
  6. Home Sweet Home
  7. Looks That Kill
  8. Ten Seconds to Love
  9. Kickstart My Heart
  10. Smokin’ in the Boys Room (Brownsville Station cover)
  11. Live Wire

The headlining Iron Maidens were making their King of Clubs debut as well. The two previous times that I’ve been able to catch them were at The Al Rosa Villa. While they are credited with being the ‘World’s only all female tribute to Iron Maiden’; their gender really is irrelevant to their musical abilities. As a Maiden die hard, it’s cool to see chicks that even like Iron Maiden and the fact that they are excellent musicians is the icing on the cake. Just don’t get hung up on the “female” part as a gimmick. It is not. These ladies flat out rock. Nikki Stringfield and Courtney Cox trade guitar solos throughout the show and pack the Maiden punch. Kirsten Rosenberg hits Bruce Dickinson’s high vocal notes and even takes them up another couple levels on her screams. The backbone to both Maiden and their counterparts in this tribute band operate at another level. Wanda Ortiz’ right hand is a blur on the bass as she holds down the Maiden gallop and Steve Harris’ rhythms and Linda McDonald seemingly had all four of her limbs in constant motion for the entirety of the set on the drums. Fantastic as always. And in a time when most of the big tours haven’t returned yet, and the uncertainty of the industry, these high quality tribute acts bring much needed live music to concert craving fans.

The Iron Maidens performing Run to the Hills

Small venues are cool. In the mezzanine was a VIP lounge where the girls were prior to the show. It appeared that they briefly may have had a Spinal Tap moment in not being able to find their way to the stage, which I genuinely hope was the case as I love that movie. My daughter was able to get a fist bump from Courtney after the show and seeing her smile and enjoying these songs with me, the same way that I’ve enjoyed hearing these songs live with my dad, made me a happy man.

The Iron Maidens set list

(Doctor, Doctor)

  1. Aces High
  2. 2 Minutes to Midnight
  3. Infinite Dreams
  4. Losfer Words (Big ‘Orra)
  5. The Trooper
  6. Stranger in a Strange Land
  7. Wasted Years
  8. Wasting Love
  9. Rime of the Ancient Mariner
  10. Sun and Steel
  11. Killers
  12. The Number of the Beast

*Encore*

13. Hallowed Be Thy Name

14. Run to the Hills

(Always Look on the Bright Side of Life)

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Iron Maiden turns 40

Today, April 14, 2020 sees the self titled debut album from metal legends Iron Maiden turn forty years old. We’ll examine the record track by track to see how it measures up.

As a debut goes, the record does its primary job right off the bat. One look at the cover probably did exactly what it was intended to. Circa 1980, one look at Eddie probably either scared you away or piqued your interest. Relatively unknown outside of England at the time, this was their first real chance to make an impression to the rest of the world.

Clocking in at just over 40 minutes, it’s a pretty standard length record for the times, although it’s a much more frantic pace than their recent releases. While I disagree with many assessments that liken early Maiden to punk, their sound on the first two albums with Paul Di’Anno on vocals is much different than the sound they’d become famous for years later.

The opening track is “Prowler” and is a smack to the face. It features elements that will later become their feature sound, albeit with Di’Anno’s more gruff voice. As for being the introductory song for the group, it’s a classic. It’s meant for Di’Anno’s vocals though, so sadly it’s time of being played live is probably over.

“Remember Tomorrow” follows and is quite honestly one of the most underrated songs in Maiden’s illustrious catalog of music. It very well could be Di’Anno’s greatest performance with the band before he was replaced by Bruce Dickinson. Seldom played live, it’s an absolute treat when it is. It is so unique when compared to the rest of their stuff.

The first hit off the record is the third track. “Running Free” is about as essential to their catalog of music as it gets. The single charted at 34 in the UK. The live version from 1985’s “Live After Death” recording is the absolute best with crowd participation. This fun song still gets played regularly when the group is touring.

The fourth track is without question the defining song of the Di’Anno era of the band. “Phantom of the Opera” is in your face from the opening get go and doesn’t let up for over 7 minutes. The musicianship on this one is phenomenal and is the first “epic” in a long line of “epics” that the band would go on to be known for. The entire band is at their absolute best on this one. It still gets played live regularly and for good reason. This one simply captures everything that they do well and is a precursor to where they’d end up fifteen records later. Turn this one up all the way!

All of that concludes the first side of the record. Side 2 opens up with an iconic jam that is entirely an instrumental piece. “Transylvania” is another one that has the vintage Maiden sound, and I’d love for it to be played live. That won’t happen, but the song is just the first of a few great instrumentals that they band would go on to release over the years.

“Strange World” follows and is another underrated Di’Anno gem. The song has a mellow opening, followed by a brief wailing guitar solo, and along with the aforementioned “Remember Tomorrow”, one of Di’Anno’s greatest vocal achievements. The track also foreshadows the progressive rock elements that would later become staple but in the early years were not as common for them. An absolute killer that I’ve yet to see performed live, but would love to.

The second single from the album follows, and as is usually the case with me and this band, it’s not one of my favorites. It’s not that the song is bad by any means. However, the first six tracks are what I’d call definitive Maiden songs. This one doesn’t meet that bar for me. What do I know though? It charted at 29 in the UK as the better performer of the two singles. It jams, but “Sanctuary” falls short for me of the six songs before it.

The next song is also one that I could do without. It has a fun opening and has some good rhythm work. Songs about ladies of the night are a tough sell for me I suppose. “Charlotte the Harlot” is a good play on words and the breakdown midway through is quite enjoyable and has some good vocals. Once again, it just doesn’t measure up to tracks 1-6. However, it would spawn a sequel a couple albums later that is flat out brilliant. So, I’ll give credit where credit is due.

The self titled album ends quite fittingly with the self titled track, “Iron Maiden”. In a sense the song may be a tad overrated. Simply because if you go to an Iron Maiden show you two things are for certain. One of them is that this song will be the closer to their main set. The second is that is when we will get an appearance on stage from the infamous Eddie that adorns each of their record covers. He will either be in classic Eddie form or reimagined to fit whatever “new” album the band is touring on. It is an absolute essential song to the band and as mentioned before is forever locked in to the live set. Watch the crowd reaction to this one!

Overall, this record is an iconic debut for an iconic band. Tracks 7 & 8 are the weakest in my opinion and one of those is the highest rated single from the album. That means it’s in pretty good shape. The overall grade for 1980’s Iron Maiden is a solid A! It is one of the early records that would shape heavy metal for the next four decades and counting.

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