K.K.’s Priest headlines night of metal in Columbus

K.K.’s Priest performing at The King of Clubs, Columbus, Ohio 3/16/24 Photo by Chad Hobbs

K.K.’s Priest invaded the comfy confines of Columbus’ venue The King of Clubs on Saturday night. The all-star cast that Judas Priest legend K.K. Downing has put together to represent both his storied Priest career as well as two albums of new heavy metal made their first visit to Ohio on this tour and brought a pair of bands with them to warm up the crowd. The tour package paired several heavy metal legends with several legends in the making as well.

Switzerland’s (minus one, Philly guitar virtuoso Courtney Cox) Burning Witches made their second appearance at the music venue that has quickly became the local favorite for a variety of music, but has specialized in giving headbangers a place to feel at home. Last time they visited, they were on tour supporting Cox’s former band; The Iron Maidens. While she admittedly made a comfortable living in the world famous Iron Maiden tribute act, the lure of creating original music with like minded people led her to accepting a full time gig with the Witches last summer.

As is the case with most metal music, this band brings a powerhouse rhythm section with Jeanine Grob on bass and Lala Frischknecht on drums. The aforementioned Cox has assumed lead guitar duties while founding member Romana Kalkuhl handles rhythm guitars. They are led out front by the next great siren in heavy metal, Laura Guldemond. Her stage presence is what sets their performance apart from many of their contemporary counterparts. They play heavy, heavy metal yet haven’t forgotten the idea that performing live should be fun. Guldemond’s confidence while commanding a crowd is reminiscent of the legends of the genre. Even while there were issues during the first song with her microphone and the documented physical struggle that this tour has been for Kalkuhl, they soldiered through and refused to let their performance be hampered. This is a band that is only going to continue to grow its fan base as corporate radio continues to die and more avenues become available to get real metal music to the masses.

  • Burning Witches Set List
  • 1. Unleash The Beast
  • 2. Wings of Steel
  • 3. Hexenhammer
  • 4. Lucid Nightmare
  • 5. The Dark Tower
  • 6. Burning Witches

Los Angeles’ heavy metal staples L.A. Guns were up next. I always love seeing bands from the 80’s era that got pigeonholed into the “hair metal” scene unjustly. Firstly, most of the bands from the era are great anyway and the “hair” label cheapens their contributions to heavy metal music. A lot of them have their metal “cred” challenged on the basis of cheesy music videos for the newly founded MTV or because they happened to write a ballad or two. L.A. Guns are no exception to the rule, but this being the second time seeing them live in the past few years, I’m happy to say that they are just a kick ass heavy metal band that are even better live. The key to most of these bands that paved the way for the heavier stuff that would come in later years, is that when you see them live, you hear these songs the way they were actually meant to be heard. Live, loud, raw. The casual metal fan may only know this band for their radio friendly hit, “The Ballad of Jayne”, (which is a great song by the way) and completely may not be aware that this band is actually much closer to Motorhead than they ever were to Bon Jovi.

Tracii Guns is one of the most well known guitarists to come out of the 1980’s metal scene. In fact, while Ozzy Osbourne’s “Diary of a Madman” was blaring over the speakers as the band was taking the stage, Guns played along in what is one of the coolest ways to kick off a concert I’ve ever seen. While it’s pretty obvious where the “Guns” in L.A. Guns comes from; his namesake is also where the “Guns” in Guns N’ Roses comes from too as for a brief time L.A. Guns merged with Axl’s band Hollywood Rose. The pairing didn’t last long, however, and L.A. Guns forged ahead. Handling lead vocals since 1987 (save for a four year stretch in the ’90s), is Mr. Phil Lewis. His vocals were on point all night. He informed the crowd prior to the performance of “Jayne” that he’s been struggling with his vocals but that he would try hard to get through the song. He sounded great and one could not be blamed for thinking that he was full of it. In fact, Ripper Owens of the evenings headlining performers would later playfully call him out for being full of shit.

  • L.A. Guns Set List
  • 1. Cannonball
  • 2. Electric Gypsy
  • 3. Over The Edge
  • 4. Sex Action
  • 5. Speed
  • 6. Hell’s Bells (instrumental jam of AC/DC)
  • 7. Never Enough
  • 8. The Ballad of Jayne
  • 9. Rip and Tear
L.A. Guns performing at The King of Clubs, Columbus, Ohio 3/16/2024. Photo by Chad Hobbs

At about 9:45, the headlining act for the night took the stage. K.K. Downing is a founding member of Judas Priest. The same Judas Priest that is quite obviously on the Mount Rushmore of heavy metal bands with Sabbath, Maiden and Metallica. Don’t try to argue. His decades of playing twin harmonizing guitar with Glen Tipton in Priest formed one of the most iconic and recognizable sounds in metal music. In 2011, Downing’s time in Priest came to an end and after many years of not performing the beginnings of what would become K.K.’s Priest began to take shape right before and during the pandemic.

The new project, K.K.’s Priest, would be a combination of both some of his best work from the Judas Priest heyday as well as fresh and new music that would remain true to what his vision of the band was. Who better to recruit for lead vocals than Akron, Ohio’s Tim “Ripper” Owens who actually was in Judas Priest for a pair of albums when they reunited without Rob Halford briefly around the turn of the century. His vocal parallels to Halford are eerily close and his work with Iced Earth was my favorite that they put out. Unfortunately, I didn’t get to see him perform with Iced Earth, so I’ve been looking forward to seeing him live and combined with Downing whom I hadn’t seen since 2009’s Judas Priest tour; you might say that Saturday night was a show that I was excited for.

Rounding out the band are guitarist A.J. Mills, bassist Tony Newton, and drummer Sean Elg. The hard hitting quintet opened the night with the first single from their first record; 2021’s Sermons of the Sinner. From the opening riff of “Hellfire Thunderbolt” to kick off the set and through second encore song; this was just a classic, old school metal show. With Owens piercing vocals ripping right through you and heavy riffs and plenty of double bass pedal holding it all together, the show surpassed all of my expectations and has now taken over the top spot for shows that I’ve seen at The King of Clubs. It was also a fantastic way to kick off my 2024 concert run. The night was a celebration. A celebration of the legacy of K.K. Downing and his work over the past 50+ years. It was a celebration of the legacy of Tracii Guns. It was a celebration of the future of all three of these bands. It was a celebration of the 3rd year anniversary of Columbus’ new favorite music venue. The show was sold out. Towards the end of the show, Owens remarked that after the end of this tour that the band would reconvene in England to work on the follow up to 2023’s The Sinner Rides Again album. I’m excited for that and hope that they will once again spend an evening with the headbanging faithful in Columbus, Ohio when they inevitably tour in support of whatever comes next.

  • K.K.’s Priest Set List
  • 1. Hellfire Thunderbolt
  • 2. One More Shot at Glory
  • 3. The Ripper (Judas Priest cover)
  • 4. Reap the Whirlwind
  • 5. Night Crawler (Judas Priest cover)
  • 6. Burn in Hell (Judas Priest cover)
  • 7. Beyond the Realms of Death (Judas Priest cover)
  • 8. Hell Patrol (Judas Priest cover)
  • 9. Brother of the Road
  • 10. The Green Manalishi With The Two Prong Crown (Fleetwood Mac cover)
  • 11. Breaking The Law (Judas Priest cover)
  • 12. Victim of Changes (Judas Priest cover)
  • *Encore*
  • 13. Strike of the Viper
  • 14. Raise Your Fists

The Iron Maidens return to The King of Clubs

The King of Clubs, located on Columbus’ northern side, has quickly made a name for itself for all of the right reasons. Time and again, seemingly week after week they are announcing new concerts for their venue that are meeting a need in the city. The Al Rosa Villa is gone and The Newport and Kemba Live venues have largely ignored metal and hard rock acts for the past several years. The King of Clubs has risen to the challenge and filled that void for the most loyal fans in music.

The Iron Maidens, the world famous “only female tribute to Iron Maiden”, returned to the club for their third visit in as many years on Saturday night. While it may have felt like deja vu for most of the band, one member was making her debut for the Columbus venue. Shani Kimelman is currently filling in as one of the guitarists while Courtney Cox is doing the same for the Swiss metal band Burning Witches. Having only been on the road with the Maidens for a week or so, Kimelman handled her duties wonderfully and traded off some of heavy metal’s most famous guitar solos with long time lead guitarist Nikki Stringfield. As always, bassist Wanda Ortiz had the tall task of handling Steve Harris’ iconic bass lines. Lead vocalist Kirsten Rosenberg brought the “Air Raid Siren” screams to new highs and on some of the most challenging songs, I thought that she was at her best. This quite possibly may have been her best performance of the five times that I’ve caught this band.

I must say, though, as my wife has started to dabble in the world of drums herself; I have started to have an even greater appreciation for the work that goes on at the back of the stage. Drummers tend to get forgotten or taken for granted, but percussionist Linda McDonald really does hold it all together. With the famous riffs, one of the world’s greatest vocalists, and heavy metal’s greatest bass player; it’s easy to kind of forget about the drumming in the Iron Maiden catalog. I spent some time watching and listening to McDonald’s drum work in particular and she flat out kicked ass up there. While she might not be front and center of the stage, her role and performance cannot be minimized.

As usual, the ladies played a nice mix that represented a large portion of the Maiden catalog. Typically, they do play at least one of their more modern tracks (post-1995), this time they did not. This year’s visit was all about the classics and they pulled it off flawlessly. Highlights included the first of the Iron Maiden “epics”, “The Phantom of the Opera” from their 1980 debut album; as well as “Deja Vu” (a criminally underrated track) and of course the greatest metal song of all time; “Hallowed Be Thy Name“.

The Iron Maidens Set List 7/8/2023 Columbus, Ohio

  • 1. Aces High (1984)
  • 2. Die With Your Boots On (1983)
  • 3. Flight of Icarus (1983)
  • 4. Wasted Years (1986)
  • 5. The Trooper (1983)
  • 6. The Prisoner (1982)
  • 7. Phantom Of The Opera (1980)
  • 8. The Clairvoyant (1988)
  • 9. Another Life (1981)
  • 10. Fear Of The Dark (1992)
  • 11. The Number Of The Beast (1982)
  • 12. Deja Vu (1986)
  • *Encore*
  • 13. Hallowed Be Thy Name (1982)
  • 14. Run To The Hills (1982)

Arena rock legends come to Morrow County

Mount Gilead, Ohio. It’s a small village in rural Morrow County. At the last census, Mt. Gilead only had a population of 3,500. However, in 2022, a group called Finley’s Entertainment organized an event at the Morrow County Fairgrounds called Freedom Fest Ohio. Apparently, the event was so successful that its second incarnation was held this past weekend at the same venue. This is big news for Morrow County. We don’t get concerts like this. When an evening of rock acts were announced for this year’s four day event, I knew that I couldn’t miss an event like this that was virtually in my back yard (Go Cardington-Lincoln Pirates!).

The event serves as an entertainment option for our rural county but also is a major fundraiser for the United States Law Enforment Foundation (USLEF) where a dollar of every ticket sold was donated to that organization. Friday night headliner, Poison’s Bret Michaels and his band announced that they would also match the donation made to the charity.

When I say that this a huge opportunity for my county, I can’t overstate that. We don’t have concerts here. We don’t see many celebrities roll through our towns. To say that I was nervous of the impression we would make on these rock heroes is an understatement. Boy, was I wrong. The organizers of this event did it right. This was a truly professional concert. A real, and professionally built stage was there for the acts, complete with professional sound and lights. Like other major festivals in the area, there was plenty of food truck options as well as restrooms. The crowd was big and appropriate size for these acts. Being from such a rural area, I had reservations on whether our community would support the concert. They turned up in a big way, even with a less than ideal weather forecast. I was proud to be there, and proud of my fellow Morrow County community for turning up.

San Francisco’s Jefferson Starship kicked things off at 6:00 and really surprised me. I’d seen the two acts that followed them many times, but I wasn’t sure what to expect from Starship. I thought they did an admirable job of mixing in the appropriate amount of Jefferson Airplane songs into their set list. Jefferson Airplane, who were one of the leaders of the psychedelic rock movement of the mid to late 1960’s, would later face turbulence in the group before forming Jefferson Starship in 1974. Their show was good, particularly with their vocalists Cathy Richardson and original member David Freiberg. I thought the highlights of their performance were the Airplane classics “Somebody To Love” and “White Rabbit”.

After a short break, 1980’s rock radio staples Night Ranger took the stage. This marked my third time seeing these guys after previous concerts in Mansfield and Marion, and as usual they were excellent. I know that this tour is celebrating the 40th anniversary of their sophomore album, Midnight Madness, which features several of their biggest hits, including the iconic “Sister Christian”. With that said, “Eddie’s Comin’ Out Tonight” from their debut record needs to permanently be in the set list! Although, this was my first time seeing them in a support role, so I’d imagine putting a set list together when you are used to being the headliner must be a daunting task. I enjoyed that they mixed up their set a bit and that they include the Damn Yankees two biggest songs as well, a nice nod to bassist and vocalist Jack Blades time in that super group as well. Their performance certainly made it known that the headlining act was going to have to be on their top performance to earn that title.

Night Ranger Set List Mount Gilead, OH

  • 1. You Can Still (Rock In America)
  • 2. Four In The Morning
  • 3. Sing Me Away
  • 4. Coming Of Age (Damn Yankees cover)
  • 5. The Secret Of My Success
  • 6. Night Ranger
  • 7. *Drum Solo*
  • 8. High Enough (Damn Yankees cover)
  • 9. When You Close Your Eyes
  • 10. Don’t Tell Me You Love Me
  • 11. Sister Christian

Moments after Night Ranger left the stage, the skies opened and the heavens fell down in the form of monsoon conditions for about 15 minutes. The Morrow County faithful stayed strong, and settled in, after all this agricultural community isn’t afraid of playing in the mud. Quite literally, there were folks that made an impromptu slip-n-slide out of a tarp and were having a great time. The rest of us sat in the pouring rain and drank beer. Besides, this rain was nothing compared to the literal monsoon that I was in for a Poison/Def Leppard/Cheap Trick concert at Blossom Music Center some 14 years ago or the Iron Maiden/Alice Cooper show in Indianapolis of 2012. It was a good, solid summer rain though, and I didn’t see a soul heading for the exits.

The headliner on this tour, dubbed “Parti Gras 2023”, is of course the Bret Michaels band. He’s most well known as the lead vocalist for the 1980’s hair band Poison. Bret takes a lot of flak from every direction. Certain bass players, from other certain hair bands that possibly don’t even play live and like to pretend that they weren’t also a hair band, (cough, Nikki Sixx of Motley Crue) have taken shots at Poison. The former reality TV show “Rock Of Love” also made Bret an easy target for criticism. Here is what I’ll say about all of it: The dude was and is still one of the best entertainers in the industry, and he was willing to bring that to little, ole Mount Gilead, Ohio. Sure, I know the ladies love Bret Michaels, but I’m a fan of his songs. He has played them on the biggest stages in the world. Just last summer, he played with Poison in the Cleveland Browns football stadium, and here he was on Friday night at the Morrow County Fairgrounds. Say what you want about hair metal, or the eyeliner, or any of it; but the guy is a genuine and down to earth rock star. I’ve seen his solo band once before and Poison a handful of times and he has always made sure to acknowledge who the real heroes in this country are, without making it a political thing. Because guess what, patriotism is not something that is supposed to be political, and he hasn’t forgotten that. On this night it was heroes of law enforcement that were brought on to the stage for some recognition, just as I can recall him bringing out cameras to send love to troops overseas during Poison concerts during the height of the War on Terror. That’s not being political. That’s being a stand up dude that has perspective. I’ve always appreciated that about Bret and his live shows. He’s there to party (or Parti?) and there is no mistaking that, but the freedom to live the life he lives and do the job he does came at a price, and he takes the time to acknowledge that. Every time.

Again, like Night Ranger before him, we’ve got to find a way to get “Fallen Angel” and “Cry Tough” back into the set, but I digress. The vocalist has put a solid band around him while he worked through a set list of mostly Poison classics. The crowd ate up every moment of it. The thing that gave me hope was a teenage couple, whom I assume was from out of town (he wore a Bishop Watterson football shirt), who were belting out every word to every song a few feet away from my wife and I. I wasn’t even born when Jefferson Starship and Night Ranger had their biggest success and I was an infant when Poison burst onto the scene. To see kids, who weren’t even born when I saw Poison on their 20th anniversary tour in 2006, being the next generation to keep classic rock music alive is a heartwarming thing. I hope the folks at Freedom Fest Ohio will continue to bring rock acts like this to our community and that hopefully the festival is here to stay.

Bret Michaels Band set list Mount Gilead, Ohio

  1. Talk Dirty To Me (Poison cover)
  2. Look What The Cat Dragged In (Poison cover)
  3. Ride The Wind (Poison cover)
  4. *Bret Michaels harmonica solo*
  5. Your Mama Don’t Dance (Loggins and Messina cover)
  6. Something To Believe In (Poison cover)
  7. Give It Away (Red Hot Chili Peppers cover)
  8. Unskinny Bop (Poison cover)
  9. *Drum solo*
  10. Every Rose Has Its Thorn (Poison cover)
  11. Nothin’ But A Good Time (Poison cover)
  12. *Encore* Sweet Home Alabama (Lynyrd Skynyrd cover with members of Jefferson Starship)

Ranking: Poison

To celebrate the upcoming Bret Michaels band and Night Ranger concert appearance with special guests Jefferson Starship at Freedom Fest Ohio in tiny Mount Gilead, Ohio tomorrow night; lets take a stab at ranking the most essential songs from Bret’s main band Poison. Those classic, hair metal anthems are sure to be peppered throughout the set list and it’s high time we rate the best of the best!

Poison performing their traditional opening song; “Look What The Cat Dragged In” in St. Louis, Missouri

The following are my rankings of the 15 Greatest Poison tracks! Agree? Disagree? Vote at the end of the article!

There are still tickets available and can be purchased here! Having seen Poison five times or so and the Bret Michaels band once before, Mount Gilead, Ohio ought to be ready to party. While Poison, and hair metal in general gets a lot of grief for being cheesy, Michaels always puts in a genuine performance that will have you singing along and leaving with a smile on your face. You can check out my review of Poison’s Cleveland performance last summer right here. Also while there, make sure to visit our friends at Legend Records at their downtown shop for all of your music needs until 4pm on Friday and also at the festival. Hit up King’s Krossing Food Truck for your hunger needs during the concert as well! Lastly, make sure to vote below for what YOU think is the greatest Poison song of all-time!

Review: Two days at Sonic Temple Music Festival

It had been four long years since I last saw a concert at Historic Crew Stadium, home of the Sonic Temple Music Festival. The 2020 event was cancelled due to the entire world shutting down. 2021 was cancelled as well due to lingering fear peddling and no word on ever was publicly made that I’m aware of as to why the event didn’t happen in 2022. As someone who is one of the originals from 2007 when this event was formerly known as Rock On The Range, the pilgrimage to Columbus for this festival kind of became ingrained into my psyche. For this year’s festival, I only visited on Friday and Saturday. While pulling off of 17th Avenue onto the festival grounds, I was met with a rush of familiarity and memories with friends and strangers. Unfortunately, I arrived too late in the day to park in my usual spot under the shade of the infamous Pee Tree. If you’ve ever pre-gamed for this festival with me and my friends, you should remember the Pee Tree. Good times.

Unfortunately, I was unable to get down on Friday in time for Black Stone Cherry. one of my long time favorites whom I first discovered on those very grounds. While walking in, Badflower had just started their performance, but I was headed straight to the Octane Stage for Dorothy. I watched the rest of Badflower’s set from the video screens as Dorothy’s stage was being put together. She remains rock & roll’s best kept secret. She’s got a powerful voice. She’s got a great, hard rocking band behind her. She’s authentically authentic. Due to being a festival performance, the 7 song set was all too brief, especially after getting to see her perform a headlining set on her own tour last year. With that said, the band made the most of their 40 minute slot. Quite literally, their frontwoman stopped the show to shout a prayer over a fan that was having some sort of medical emergency. The show did not continue until security and medical personnel confirmed that the individual was okay. While there were a few dozen apparent nonbelievers that were looking for a reason to be offended and left, I found it refreshing to hear this woman bring everything to a halt and immediately reach out for divine intervention for a complete stranger in need. How sad it is that in today’s age, someone could be offended by somebody praying over somebody in distress. Dorothy Martin is admittedly no saint. She has been open for years about vulnerable moments in her life, her own demons and the things that have led her to her renewed faith. At a festival that had tents devoted to tarot card readings, tents devoted to coven members, and countless performers and fans wearing and saying things that blaspheme virtually every religion on earth, it is absolutely mind blowing that there were a vocal minority of people complaining about someone praying and making sure the devil wasn’t welcome to harm her fans. I know, not very “metal” of me to have this take, but oh well, I’m not ashamed. Anyway, the rest of her performance continued without incident and as always was one of the highlights.

Dorothy performing “What’s Coming To Me” at Sonic Temple Festival, May 26, 2023 in Columbus, Ohio.

From there it was to the main stage for the rest of the evening for me. As always, Illinois’ alt metal titans, Chevelle were their typical solid selves. Having also seen them multiple times, this three-piece isn’t there to be flashy. They show up and let their music speak for them. In their fifty minute set they fit in as many songs as the evening’s headliner, but we’ll get to that in a minute. Sandwiched between Chevelle and the Friday headliner was Seattle’s Queens Of The Stone Age. They aren’t my typical go-to type of band, but their set was fine and lead vocalist Josh Homme remarked that it was their first gig in five years. I’d have flipped them and Chevelle, but no real complaints there. QOTSA also managed to play an 11 song set, matching the output of the final band of the night.

Chevelle performing “The Red” at Sonic Temple Music Festival, Columbus, OH.
Queens Of The Stone Age performing “No One Knows” at Sonic Temple Music Festival in Columbus, OH.

Friday night’s headliner marked the return of a festival favorite; Avenged Sevenfold. The three new tracks were fine, and expected on an album tour. It was that there was only eight other tracks during their performance that puzzles me. I love A7X and have been a fan of theirs since the early 2000’s. Yet every time that they have headlined this festival, I don’t think they’ve ever played what is a proper headlining set. In 2018 they played a whopping ten songs and didn’t encore. In 2014 they played thirteen. In 2011 they played ten and in 2009 as the direct support to the headlining Motley Crue they only played seven songs. I don’t get it. Again, Friday night in 2023, they only played eleven songs and forget an encore song or two; because they stopped playing twenty minutes before their advertised set time was supposed to end. Again, I love this band, but if there is a physical reason that they can’t play a proper headlining set then drop them to the direct support and let them play for an hour since that seems to be about what they want to do.

The band sounded better than I anticipated. The new songs are growing on me. I don’t understand the shock that people have expressed in their new sound. This has kind of been the trajectory that they’ve been heading for awhile now. I’m all for being creative and trying to grow. I do hope, however, that they are all in a good place and are taking care of themselves both in body, mind and spirit. I can’t put my finger on it, but something just seems like members of this band may need some help. They’ve been through a lot. I hope for the best and I hope to see them again, but ending a major festival performance 20 minutes earlier than what was advertised and what people paid a lot of money for makes it seem like maybe things aren’t just quite right in A7X world.

  • Avenged Sevenfold Set List Columbus, OH
  • 1. Game Over
  • 2. Afterlife
  • 3. Hail To The King
  • 4. We Love You
  • 5. Buried Alive
  • 6. So Far Away
  • 7. Nobody
  • 8. Nightmare
  • 9. Bat Country
  • 10. Unholy Confessions
  • 11. A Little Piece Of Heaven
Avenged Sevenfold performing “Bat Country” at Sonic Temple Music Festival in Columbus, OH

I trekked back down on Saturday for my most anticipated concert of 2023: KISS. I”ve been a KISS fan since I was about fifteen years old since Santa Claus, apparently growing tired of my rap phase, gifted me the iconic Destroyer album for Christmas. From the first time I heard “Detroit Rock City” and “God Of Thunder” among others on the record, I’ve been hooked. I first saw KISS in 2003 with my Dad on a co-headlining tour with Aerosmith. I saw them a second time with my brother in 2009 in Cleveland where they had the curious choice of having Buckcherry as their opening act. Anyway, every time that KISS had came to town since then, they’ve eluded me for whatever reason. To say that I had been waiting for that concert for a long time would be an understatement. To pass on the goodwill that my Dad, er, Santa Claus passed on to me; I took my 13 year old nephew with me for his first large scale concert experience.

We arrived in time to catch From Ashes To New on the Octane Stage. Hailing from neighboring Pennsylvania, these hard rockers were really good. They brought great energy and packed 9 songs into their forty minute set. See my confusion with Avenged Sevenfold? They were given 90 minutes to headline the event, played for 70 minutes instead, and only played 11 songs. Anyway, for being the first band my nephew ever got to see at a festival, they left a lasting impression on him and I was impressed as well.

From Ashes To New performing “Panic” at Sonic Temple Music Festival in Columbus, OH.

Following them were Sweden’s Avatar. Their performances are always entertaining. For those of you that might not be familiar; imagine Alice Cooper’s theatrics meets King Diamond piercing vocals meets Swedish heavy metal. It makes sense to me. I’m here for it and the crowd reaction was great, particularly for “Smells Like A Freakshow”. I must wonder, though, if those same complainers about Dorothy shared any complaints about the subject matter from Avatar’s performance. I’m doubtful. Anyway, this is a band that I recommend people to check out if you are a metalhead that might be looking for something new.

Avatar performing “Smells Like A Freakshow” at Sonic Temple Music Festival in Columbus, OH.

For the rest of the evening it was time to venture from the Octane Stage into the stadium for the big acts. For the first time in awhile at this event, Rob Zombie was not in a headlining role. He understood the assignment though. Zombie is a huge KISS fan and was all on board with being the act that got the privilege of opening for them. I’d have made some changes to his set list, but as always he worked the crowd into a frenzy with his unique brand of grooving “dance” songs that tackle Gothic era horror and comics. I’ve never not enjoyed myself during a Rob Zombie performance and yesterday was not an exception.

Rob Zombie performing “Scum Of The Earth” at Sonic Temple Music Festival in Columbus, OH
  • Rob Zombie Set List Columbus, OH
  • 1. The Triumph Of King Freak (A Crypt Of Preservation And Superstition)
  • 2. Superbeast
  • 3. Meet The Creeper
  • 4. Shake Your Ass – Smoke Your Grass
  • 5. Living Dead Girl
  • 6. More Human Than Human
  • 7. Dead City Radio And The New Gods Of Supertown
  • 8. Scum Of The Earth
  • 9. Never Gonna Stop ( The Red, Red Kroovy)
  • 10. Well, Everybody’s *Friendly* In A U.F.O.
  • 11. House Of 1000 Corpses
  • 12. Thunder Kiss ’65
  • 13. Dragula

An hour after Zombie’s set finished, it was time for KISS. They did not disappoint. This band takes a lot of flak from people and some of it deservedly so; but their live performances are rivaled by very few acts and it makes me happy to see that they are ending this thing in a fashion where they are still able to put on a great show. Gene Simmons and Paul Stanley are well into their 70’s and it would be easy to phone it in on this last run of shows that will see their touring days come to an end; but they aren’t. Columbus, OH was treated to the “hottest band in the world” one final time and packed as much into a 90 minute set that I think they could. Getting to share it with my young nephew made it even cooler. With every explosion, rising platform, spitting fire, and blood capsule trick; I would look over and see a thirteen year old boy with a look of awe on his face that I was hoping for. Outside of Metallica at Rock On The Range 2017, KISS firmly planted themselves as the best performance in the event’s history in my not so humble opinion. It was awesome, for one last time, to lose our minds in *Columbus* Rock City with KISS.

KISS performing “Detroit Rock City” at Sonic Temple Music Festival in Columbus, Ohio.
  • KISS Set List Columbus, OH
  • 1. Detroit Rock City
  • 2. Shout It Out Loud
  • 3. War Machine
  • 4. Heaven’s On Fire
  • 5. I Love It Loud
  • 6. Cold Gin
  • 7. *Tommy Thayer guitar solo*
  • 8. Lick It Up
  • 9. Calling Dr. Love
  • 10. Psycho Circus
  • 11. *Eric Singer drum solo*
  • 12. 100,000 Years
  • 13. God Of Thunder
  • 14. Love Gun
  • 15. I Was Made For Lovin’ You
  • 16. Black Diamond
  • 17. Beth (Encore)
  • 18. Rock & Roll All Nite (Encore)

Brit Floyd brings another great gig to Columbus

Everywhere you look, there are tribute acts these days, that are keeping the music of rock’s greatest legends alive. Most of them do a great job of that. Brit Floyd, however, is in its own separate category. Most tribute acts don’t have their own PBS special. Most tribute acts aren’t playing in some of the largest venues available. The attention to detail is what sets them apart from any other tribute act out there. This music certainly speaks to me and I can appreciate the effort that they put into it, allowing these iconic songs to breathe and remain relevant for decades after their release.

So it was, when the band visited Kemba Live (formerly Promowest Pavilion, The LC Pavilion, and Express Live) for their annual tour across the U.S., keeping these timeless songs alive for legions of Pink Floyd fans. Making this tour a little extra special, is that it is coinciding with the 50th year anniversary of the release of their iconic album; The Dark Side Of The Moon. It is one of the greatest selling records of all time and excitement was in the air because on the run of current gigs, they are playing the album nearly in its entirety. For a band that has no shortage of legendary records, it is no small feat to play one of them in full and still appease fans clamoring for the rest of the catalog as well. Yet, they did just that, as they do each time.

As always, they weaved back and forth through some of Floyd’s greatest anthems, while also sprinkling in some of their more obscure songs from the 1960’s Syd Barrett era as well as some of the lesser known 80’s and 90’s tunes. Led by guitarist and lead vocalist Damian Darlington, he is also their visionary and musical director, Brit Floyd keeps the show fresh each year by mixing in new songs and utilizing the effects and production that you would expect from a tribute of this magnitude. Like stated earlier, the attention to the details makes their live performances a spectacle to both be seen and heard. The lights and lasers are phenomenal and the musicianship is flawless; but the trio of backing vocalists (Eva Avila, Genevieve Little, and Chess Galea) are the piece that gives this show the authenticity that you want. Avila, in particular has the tall task of tackling the vocal solo for “The Great Gig In The Sky”; and with each year that passes, she nails it with perfection and receives a very well deserved standing ovation.

This show is worth the money you’ll spend to see it. After seeing the legendary bassist and vocalist of the original band last year; Roger Waters puts on a phenomenal show to this day, I must admit that it is always refreshing to see Brit Floyd allow the music to do the talking. Floyd can certainly be taken for a thinking man’s band, which is why Waters’ chastisement of western politics isn’t necessary between the songs as they already make those statements on their own. There is no need for us and them banter at a Brit Floyd show, and as the performance moved forward and the sun set on the Columbus skyline, the aforementioned lights and lasers took over the night sky and further enhanced the experience. Seriously, choose any colour you like, and it was represented in a storm of flickering lights and atmospheric lasers; namely on songs like “One Of These Days” and Comfortably Numb”.

I think the thing that sets the Floyd music apart from its contemporaries is that the music grew with them and their experiences. There is something in their discography  for any and everyone. I’m not what you would expect to be the stereotypical Pink Floyd fan. I’m polar opposites with Roger Waters in many ways, but as I’ve aged and hopefully became more wise, the different eras of this band resonate in different ways. That’s also why I never tire of this music. I can listen to this band at all times. When pondering the meaning of life, The Dark Side Of The Moon, is the go-to. If I want a good story that weaves through the effects of war, trauma, and brain damage, fame and fortune and its inevitable crash and burn, then I’ll put on The Wall. Angry at the world and politics in general? Animals will scratch that itch. Have a need for introspect and longing for the way things were or might have been? Throw on 1975’s Wish You Were Here. Reflecting on life, past mistakes, being present in the now, and looking to a different future? Go ahead and listen to The Division Bell. And on and on. I’m convinced that there will never be another band that will be able to eclipse what Pink Floyd’s music did. I love the blues. I can listen to straight ahead, blues based rock music with the best of them. But Pink Floyd is and was something different. Theirs is a music that you feel. Unfortunately, I didn’t get to see Pink Floyd live on their final tour, because I was eight when they visited Columbus’ famed Ohio Stadium and played to over 75,000 fans. That is still the largest, non festival concert crowd to see a band in the Horseshoe. With that being said, I’m very grateful that a band like Brit Floyd exists so that I can also enjoy these songs in a live setting and hear them the way  that they are meant to be heard. With Brit Floyd continuing to be on top of their game, I look forward to future celebration tours for some of these other albums as well. Come to think of it, 2024 will mark the 30 year anniversary of both The Division Bell and the tour that would be Pink Floyd’s last. Perhaps, next year’s trek may honor that. Whatever is next, I look forward to the experience.

Brit Floyd Setlist

  • 1. Speak To Me/Breathe (In The Air)
  • 2. What Do You Want From Me
  • 3. Yet Another Movie
  • 4. Round And Around
  • 5. Empty Spaces
  • 6. Young Lust
  • 7. Sorrow
  • 8. The Gunner’s Dream
  • 9. Time
  • 10. The Great Gig In The Sky
  • 11. Fearless
  • 12. Pigs (Three Different Ones)
  • 13. Shine On You Crazy Diamond (Parts I-V)
  • 14. See Emily Play
  • 15. High Hopes
  • 16. Money
  • 17. Us And Them
  • 18. The Happiest Days Of Our Lives
  • 19. Another Brick In The Wall, Part 2
  • 20. Wish You Were Here
  • 21. One Of These Days
  • 22. Brain Damage
  • 23. Eclipse
  • 24. Comfortably Numb
  • 25. Not Now John
  • 26. Run Like Hell

Ranking: Foo Fighters

The inaugural Sonic Temple Music and Art Festival made its debut in 2019. The final headliner to close out that event was the Dave Grohl led Foo Fighters. After back to back to back years of COVID related issues preventing the festival returning until now in 2023, it is fitting that Foo Fighters will return to once again to close out the festival. When the concert used its former moniker, Rock On The Range, there were several iconic moments that perhaps can only be appreciated if you were there. Special moments that make your hair stand up and gives you goosebumps. The tributes to Chris Cornell by Corey Taylor and Taylor Momsen come to mind just days after Cornell’s passing. Soundgarden were set to headline the event that year. When Foo played in 2019, they also laid claim to some of those special moments. Actor and comedian Pauly Shore was at the concert to headline the comedy tent and had just lost his dad in the nights before. Grohl and company brought Shore up on stage and when they performed “My Hero” in dedication to Pauly’s dad, there couldn’t have been a dry eye in the stadium. Later, they also brought out The Struts lead singer Luke Spiller to duet with Taylor Hawkins on the Queen and David Bowie classic “Under Pressure”. That moment was pretty special at the time, but even more now due to Hawkins’ untimely passing last year. I’m confident in my belief that when they return to the main stage at Historic Crew Stadium next month, that there will be another moment or two that will be cemented in the lore of this festival.

Started in 1994 after the death of Kurt Cobain and Nirvana’s disbanding, Grohl formed Foo Fighters as a side project for him to continue to make music. Initially, he played all of the instruments, as this was meant to simply be a creative outlet for him to share his ideas and songs that he hadn’t previously done in Nirvana. The quality of the songs and the demand for more, ultimately led to putting together a group of musicians to tour and make subsequent Foo records with. It paid off as the Foo Fighters went on to become one of the biggest rock bands of the past thirty years, selling millions of records, playing concerts to millions of fans, and ultimately getting themselves inducted into the Rock & Roll Hall of Fame in 2021! Don’t miss them during what is sure to be an unforgettable performance in May. Tickets can be purchased here! As always, I’ve linked my Top 20 Foo Fighters songs for your listening pleasure below, but please make sure to vote in my poll at the top of the page to let your choice be heard!

  1. Let It Die
  2. The Pretender
  3. Everlong
  4. Times Like These
  5. My Hero
  6. Best Of You
  7. Learn To Fly
  8. These Days
  9. Walk
  10. All My Life
  11. Monkey Wrench
  12. I’ll Stick Around
  13. Breakout
  14. This Is A Call
  15. Big Me
  16. Run
  17. No Way Back
  18. Have A Cigar (Pink Floyd cover)
  19. Resolve
  20. Generator

Ranking: KISS

Far and away, the most intriguing band coming to this year’s Sonic Temple Music and Art Festival is none other than KISS. Unlike the other three headliners, KISS will be making their first appearance at either Sonic Temple or its predecessor Rock on the Range. The legendary quartet’s appearance will not only be their first time at the Historic Crew Stadium, but it will also be the last time to see KISS in Ohio, as they are on their final tour. For real this time. They’ve announced that they are down to their last 50 shows and will officially end their touring career in their hometown New York City at the end of the year.

With a catalog of songs that began 50 years ago and album sales of over 100 million worldwide, Columbus is set to witness what will surely be another iconic performance on the main stage. In fact, there’ve only been a handful of bands that got their start in the 70’s that have played the festival. The very first headlining act for Rock on the Range was the legendary ZZ Top and in 2013 Cheap Trick were the direct support for Korn. As great as both of those performances were, KISS will likely set a new standard for what a festival headlining performance should look like. Although they haven’t played this venue yet, the two KISS shows that I’ve been fortunate enough to witness were both fantastic.

A KISS show has all of the elements needed for a great live experience. Pyro? Check. Wall of sound? Check. Spitting both blood and fire? Check. When you combine all of that with a set list of iconic sing along song and a rabid fanbase known as the KISS Army; you’ll be in for a good time! All Columbus needs to do now is show up and show out, and prove to Mr. Gene Simmons that at least in Ohio, rock is NOT dead!

Now, check out my list of the 20 Most Essential KISS tracks. I’ve linked them for your listening pleasure! Did I get it right? Vote in my poll above for your favorite KISS song!

  1. Black Diamond
  2. Love Gun
  3. Detroit Rock City
  4. God Of Thunder
  5. War Machine
  6. 100,000 Years
  7. She
  8. Parasite
  9. Hard Luck Woman
  10. I Stole Your Love
  11. Strutter
  12. I Want You
  13. Deuce
  14. Shock Me
  15. Cold Gin
  16. Calling Dr. Love
  17. Got To Choose
  18. Shout It Out Loud
  19. Do You Love Me?
  20. Crazy Crazy Nights

Ranking: Avenged Sevenfold

With the recent release of their new single, “Nobody”, and their new upcoming album Life Is But A Dream…; Avenged Sevenfold seems like the proper place to pick up my series on the bands that are going to be playing at this year’s Sonic Temple Music Festival. A7X is no stranger to Columbus’ Historic Crew Stadium, they’ve played this event under its former moniker, Rock on the Range, in 2009, 2011, 2014, and 2018. They headlined a night of the festival during those three most recent appearances. This will be their first time back since the name changed to Sonic Temple, but they will once again be headlining the evening. They’ll likely also be supporting the new album when they take the main stage in May. With the record set to come out in early June, Sonic Temple seems like a logical time to try out the new tunes on the 40,000 plus that will be in attendance.

Avenged Sevenfold has always held a special place to me, as they are one of the metal bands that I grew up with. I was still pretty new in the world of metal as a 17 year old kid when I first heard “Chapter Four” while playing Madden NFL 2004 on my PlayStation 2. I remember thinking that they sounded unlike anything that anybody else was doing at the time. Two years later, when they once again appeared on Madden NFL 2006 with “Bat Country”, I was hooked. After hearing “Bat Country”, I decided to start going back into their catalog and discovering their earlier work. I’ve always enjoyed whenever I’ve been able to find an up and coming band before they break through into the main stream. Of course, a few years later, they would absolutely explode and crossover from metalcore favorites to mainstream giants with the release of Nightmare in 2010.

Similar to Metallica and the grief they get about the “black” album, A7X had a noticeable change of sound as well as the tragic death of one of their bandmates. I tend to disagree with those that disparage either band. Yes, their sound changed with the “black” album and Nightmare, but both records flat out rock. They are still heavy. I often try to rationalize with the detractors by telling them that musicians are artists first. An artist doesn’t make a living by painting the same picture over and over. As a band ages and their experiences change, it is natural for their sound to change. That has nothing to do with “selling out” and everything to do with life’s greatest truth: growing up. If KISS wrote “Christine Sixteen” at this point in their life; that’d be pretty weird. Likewise, why should we expect a band like Avenged to write a song like “A Little Piece of Heaven” in their forties?

While Nightmare broke them into the mainstream, it also put them under the intense microscope of heavy metal fandom. In the world of heavy metal, there are only two bands currently that are bigger draws than Avenged. Iron Maiden and Metallica. And like those two bands, every song and album that Avenged releases will be endlessly scrutinized. For Hail To The King, a record that paid homage to their influences, they would hear criticism of ripping off of those bands. When they released The Stage they suddenly were too progressive for some. As expected, there were plenty of mixed reviews and opinions on “Nobody” upon its release last week. At first listen, it’s a far cry from their metalcore days. However, it has grown on me with each subsequent listen. I enjoy the progression of most of the bands that I listen to. At some point, bands have to decide whether they are content playing their greatest hits night after night like Journey; or do they want to continue to create and evolve. Some bands change their sound and it isn’t always for the better. I don’t believe that is the case most of the time, however. Some fans might fall off along the way, as has happened to all of the modern metal giants; but they’ve also gained more fans along the way. You can bemoan an album like Nightmare for marking a change in sound; or you can appreciate that an album of its stature opened up the band to millions of other people whom would have never heard them and then go back and discover their back catalog.

I leave you with my Top 15 Avenged Sevenfold tracks of all time! I’ve also linked them for your listening pleasure!

  1. Bat Country
  2. Beast And The Harlot
  3. Nightmare
  4. Seize The Day
  5. Hail To The King
  6. Danger Line
  7. Afterlife
  8. Almost Easy
  9. Shepherd Of Fire
  10. Chapter Four
  11. Buried Alive
  12. This Means War
  13. Welcome To The Family
  14. So Far Away
  15. The Stage

Did I get it right? Make sure to vote for your favorite in the poll above or sound off in the comments!

Play it pretty, forever: Lynyrd Skynyrd

Lynyrd Skynyrd. Few bands throughout the history of time have carried the weight that the group from Jacksonville, Florida has had to endure. Their history is well known. One of the biggest bands of the 70’s were tragically cut down in their prime when their plane ran out of fuel and crashed in a Mississippi forest. They were on their way from South Carolina to Louisiana for the next show of their 1977 tour. Their lead singer, Ronnie Van Zant, and lead guitarist Steve Gaines would perish in the accident. Steve’s sister and backup vocalist Cassie Gaines as well as their assistant road manager and both pilots would also succumb to the crash. The surviving passengers, including the rest of the band, were very seriously injured.

Gary Rossington performing with Lynyrd Skynyrd in Columbus, OH in 2012. Photos by Chad Hobbs.

Over the course of time, the band would begin to put the pieces back together with Van Zant’s younger brother Johnny taking over on lead vocals. As if Death had some sort of vendetta against them, tragedy would strike this band over and over and over again throughout the next 45+ years. Many other members that have graced this band have gone on to pass away since the plane crash. No matter the circumstances, the surviving members have always continued to forge a path forward and carry on the legacy of Lynyrd Skynyrd’s music.

That legacy was already rock solid before the plane crash, but with yesterday’s news of Gary Rossington’s passing, it feels like the final chapter of this epic will soon be complete. Rossington was one of the band’s lead guitarists and was the last remaining original member of the band. He wasn’t the flashy, look-at-me, guitar virtuoso type. The songs that the band wrote were good enough to stand up on their own. I always respected that about him. His bandmate Rickey Medlocke is a fine guitar player himself and plays with an intense enthusiasm that often puts him in the spotlight, but Rossington’s underrated songwriting and steady playing from the shadows are a fitting metaphor for this hard working, mysterious band. Lynyrd Skynyrd has been in the midst of their farewell tour for the past several years, trying like hell to visit each city that put their music on the map one last time. Their plans had included wrapping up their touring days this year. I imagine that they may finish their scheduled dates before gracefully bowing out and leaving behind one of the most beloved musical legacies, shrouded in heartache and mystique, secure in the fact that they did things the right way. In the wise words of both Ronnie and Johnny Van Zant beckoning to Gary Rossington, before playing “Free Bird” to close out their concerts: ‘Play it pretty for….(every city they have played).‘ One thing I hope is certain, now that he’s made it home to the rest of the band, the heavens are surely getting a concert for the ages that hasn’t been seen since 1977.

I first saw Lynyrd Skynyrd in 2006 in Cincinnati, Ohio. Skynyrd has always held a special place in the heart of my family, so I made sure that that gig was a family affair. I was fortunate to catch nearly every tour, since then, whenever they made stops in Ohio. To give you an idea of just how well respected Lynyrd Skynyrd is, ponder the following artists that I’ve seen support them on tour: 3 Doors Down. Hank Williams, Jr. .38 Special. Blue Oyster Cult. ZZ Top. Justin Moore. Alex Winston. Shooter Jennings. Bad Company. Black Stone Cherry. The Marshall Tucker Band. Are you kidding me? Most of these bands have iconic legacies of their own, but from the up and coming bands of the future all the way to classic rock royalty; nobody minded opening up for Lynyrd Skynyrd. And can you blame them? Could you imagine being the band that had to try and go on after them just playing “Free Bird”? Get outta here.

A few highlights included seeing them from the front row at the small venue now known as KEMBA Live, being an approved photographer and concert reviewer of their 2012 and 2013 shows in Columbus and Cincinnati, and lastly seeing them (likely for the final time) in an arena show in Toledo where I was able to take all of my children to see the mighty Lynyrd Skynyrd band. That Toledo show happened to be the 41st anniversary of the plane crash, and as always, they left everything out there on that stage that night. I will truly miss seeing this band when they leave the stage for good.

I leave you with my ranking the Top 15 Lynyrd Skynyrd songs that Gary Rossington wrote or co-wrote: