The Iron Maidens headline trio of tributes in Columbus

Live music is coming back, and it’s a beautiful thing. While last night’s show featured a trio of high quality tribute acts, even the big tours are starting to get the wheels rolling towards big shows as well. The concert last night was at a new, to me, venue that exceeded my expectations. What they’ve got going for them first and foremost was excellent hospitality. I’ve had VIP at both The Newport and ExpressLive (or whatever it’s called these days) and never been treated as exceptionally as we were last night at The King of Clubs. While this new venue is in a tough part of town like The Al Rosa Villa was, they’re offering something that the rest of the city hasn’t for quite some time. Just being frank, compare the largely utter garbage that The Newport and Express Live are booking compared to The King of Clubs and you’ll see why I have hope for this place. The joint is being ran by a heavy metal vocalist and the talent they are booking are filling the demand for hard rock and metal fans in the 614. The former Al Rosa was not only in a tough area and it was cramped; and while we all have fond memories there, this new venue appears set to offer the same music but with more space and much superior hospitality. They’re pushing this narrative at The King of Clubs, where they are going to be Ohio’s finest entertainment venue and everyone is treated like royalty. Well, to my surprise, they delivered on all of the above. I want to see this venue do well and the surrounding area come up with it.

The opening act were Sweet Leaf, a Black Sabbath and Ozzy Osbourne tribute. They were a fun way to kick off the night and until you hear these songs live, it’s easy to forget just how heavy Sabbath really was. In today’s world of growling vocals and muddied distortion, what was once considered heavy could be forgotten. Not the case with Sabbath though. Those old, doomy riffs still hit today. Their lead singer and Ozzy lookalike took time to take a photo with my daughter who was with us celebrating her 14th birthday to see the evenings headliners. Much appreciated.

Sweet Leaf set list

  1. I Don’t Know (Ozzy cover)
  2. Sweet Leaf (Black Sabbath cover)
  3. Bark at the Moon (Ozzy cover)
  4. I’m a Believer (Ozzy cover)
  5. Crazy Train (Ozzy cover)
  6. Suicide Solution (Ozzy cover)
  7. Paranoid (Black Sabbath cover)
  8. N.I.B. (Black Sabbath cover)
  9. War Pigs (Black Sabbath cover)

From there we’d be treated to the Steel City Crue, who came from Pittsburgh to bring the Motley Crue goods to Columbus. When people think about or listen to Motley Crue music, I think the general consensus is fun. At least for me, I just think of good times, anyway. These guys went the extra yard and the entire four piece looked and sounded like their counterpart from the real Crue. That’s what the people want. When they go to a show like this, they want it all. It was my first time seeing either of these opening acts and they both exceeded my expectations. Steel City Crue didn’t only focus on the radio hits either, and made sure to play some of the old, heavier Crue as well; which was very well received. They also made sure that everyone knew that they were from Pittsburgh so they also didn’t like Penn State and of course did the obligatory “O-H” “I-O” back and forth with the crowd.

Steel City Crue set list

  1. Shout at the Devil
  2. Doctor Feelgood
  3. Take Me to the Top
  4. Wild Side
  5. Red Hot
  6. Home Sweet Home
  7. Looks That Kill
  8. Ten Seconds to Love
  9. Kickstart My Heart
  10. Smokin’ in the Boys Room (Brownsville Station cover)
  11. Live Wire

The headlining Iron Maidens were making their King of Clubs debut as well. The two previous times that I’ve been able to catch them were at The Al Rosa Villa. While they are credited with being the ‘World’s only all female tribute to Iron Maiden’; their gender really is irrelevant to their musical abilities. As a Maiden die hard, it’s cool to see chicks that even like Iron Maiden and the fact that they are excellent musicians is the icing on the cake. Just don’t get hung up on the “female” part as a gimmick. It is not. These ladies flat out rock. Nikki Stringfield and Courtney Cox trade guitar solos throughout the show and pack the Maiden punch. Kirsten Rosenberg hits Bruce Dickinson’s high vocal notes and even takes them up another couple levels on her screams. The backbone to both Maiden and their counterparts in this tribute band operate at another level. Wanda Ortiz’ right hand is a blur on the bass as she holds down the Maiden gallop and Steve Harris’ rhythms and Linda McDonald seemingly had all four of her limbs in constant motion for the entirety of the set on the drums. Fantastic as always. And in a time when most of the big tours haven’t returned yet, and the uncertainty of the industry, these high quality tribute acts bring much needed live music to concert craving fans.

The Iron Maidens performing Run to the Hills

Small venues are cool. In the mezzanine was a VIP lounge where the girls were prior to the show. It appeared that they briefly may have had a Spinal Tap moment in not being able to find their way to the stage, which I genuinely hope was the case as I love that movie. My daughter was able to get a fist bump from Courtney after the show and seeing her smile and enjoying these songs with me, the same way that I’ve enjoyed hearing these songs live with my dad, made me a happy man.

The Iron Maidens set list

(Doctor, Doctor)

  1. Aces High
  2. 2 Minutes to Midnight
  3. Infinite Dreams
  4. Losfer Words (Big ‘Orra)
  5. The Trooper
  6. Stranger in a Strange Land
  7. Wasted Years
  8. Wasting Love
  9. Rime of the Ancient Mariner
  10. Sun and Steel
  11. Killers
  12. The Number of the Beast

*Encore*

13. Hallowed Be Thy Name

14. Run to the Hills

(Always Look on the Bright Side of Life)

First gig, post apocalypse

Still Life performing Iron Maiden’s Aces High

Prior to last Saturday night, the last show I’d been able to attend in person was KORN and Breaking Benjamin in January 2020. Those of you that know me, know that going over a year in between concerts is not really a thing. Alas, that is the world that we’ve been left with after the ongoing pandemic.

Much to my delight, some smaller venues are starting to host socially distanced events again, and I was quite pleased to be able to catch a band that’s been on my radar for a few years. Still Life, an Iron Maiden tribute band based out of Columbus, and their friends from Sanitarium (a local Metallica tribute) were booked to play a gig in Dublin. I had previously caught Sanitarium once before at the Al Rosa Villa as one of the opening acts for The Iron Maidens a few years back. On that same bill was a local Judas Priest cover band which is how I heard about Still Life. For whatever reason, I hadn’t been able to catch them until now.

And how fitting would it be, that my first live show since the pandemic, would be two tribute acts playing songs from two of my favorite bands; Metallica and Iron Maiden.

Sanitarium kicked off the night with a set that primarily focused on the 80’s thrash era of Metallica’s catalog. While their set was shorter than I’d have liked and I would have liked to hear some songs from each of the bands albums (minus St. Anger), time was limited and they kept it to the classics. The band sounded great, played the songs true to form, and had the packed crowd headbanging and singing along throughout the entirety of the set.

Sanitarium performing Metallica’s Ride The Lightning

Before moving on to the evening’s headlining act, I’d like to shout out the venue. It was the first time my wife and I had ventured to Last Call Music Bar and Grill and we were quite impressed. The women that made up the wait staff that night were fantastic to us. Our table was visited at least every fifteen minutes throughout the evening. Drinks and food were served with a smile and the hospitality was fantastic.

After briefly sound checking with 1982’s The Prisoner or Invaders (I don’t recall, just was surprised either way), the stage appeared to be set for the main event. Now, and this is being picky, the person controlling the house music has to know that it’s criminal to play anything other than U.F.O.’s Doctor Doctor as the last song before Maiden or its tribute brothers and sisters take the stage. But I digress.

As far as Maiden tribute bands go, I’ve seen three, this quintet might have been my favorite. From song choice and musicianship they were top notch. Post-gig we were able to mingle a little with lead singer, Rachl Raxx Quinn, who admitted to having to shake off some rust as the band hadn’t been able to play out in quite some time. Metalheads may also recognize her from her work in Graveshadow, a self described symphonic metal band from Sacramento that I’ve been listening to since speaking with her.

As stated, after brushing off some early rust, she and the rest of the band were on fire for the entirety of the night. Maiden is not an easy band to play or sing. The musicians sounded flawless and Quinn’s vocals hit the high notes of the Air Raid Siren himself. They raced through a set that almost entirely consisted of the 1982-1988 Bruce Dickinson era of Iron Maiden. This was a popular choice, as that era had a run of five albums that are essential to all Maiden fans. They completely ignored the Blaze Bayley era of the band in 90’s and only played one song since the “classic” lineup returned in 1999. If they do venture into any of the 90’s material, I think Quinn’s pipes could do a monster rendition of Lord of the Flies (the Bruce version from Death on the Road of course) as well as a great many of their post-reunion songs. Alas, this is the struggle of trying to contain a band with Maiden’s catalog into one concert set. You, quite literally, can’t please everyone.

Even so, the set had a great pace and the song choice was varied enough between staples and deep cuts that surely everyone left happy. I know that I was certainly stoked. I got to take in some live music. Iron Maiden music at that. It was a great night! Concerts are back! As a proper Maiden concert always ends: “Always look on the bright side of life….

Still Life Set List 4/3/2021 Dublin, OH

  1. The Ides of March (1981)
  2. Wrathchild (1981)
  3. The Wicker Man (2000)
  4. 2 Minutes to Midnight (1984)
  5. The Trooper (1983)
  6. Revelations (1983)
  7. Flight of Icarus (1983)
  8. Still Life (1983)
  9. Aces High (1984)
  10. Wasted Years (1986)
  11. Powerslave (1984)
  12. The Number of the Beast (1982)
  13. Run to the Hills (1982)
  14. 22 Acacia Avenue (1982)
  15. The Evil That Men Do (1988)
  16. Seventh Son of a Seventh Son (1988)
  17. Hallowed Be Thy Name (1982)
Still Life performing Iron Maiden’s Wasted Years

The 2021 Rock & Roll Hall of Fame nominees

After a 2020 that was devastating to music lovers around the world, perhaps it’s time to look forward a little bit. 2020 saw live music come to a screeching halt. We lost rock legends like Neil Peart and Eddie Van Halen. I don’t think anybody knows with any certainty what will happen when it comes to live music; but some gigs are being scheduled and the Rock & Roll Hall of Fame has released it’s annual list of nominees. These will ultimately be cut down to a group of five or so for induction.

If diversity is what you’re looking for, we’ve got quite the list of nominees to choose from this year. My lack of faith in the powers that be at the R&RHOF is no secret. For crying out loud, Ted Nugent is not in there. Styx is not in there. And I could go on and on. For the sake, however, of this list; let’s assume that “rock & roll” does in fact encompass all genres of popular music and that all genres matter. Who should make the cut? Who should not? Outside of my favorite band, Iron Maiden, finally getting a nomination; this list is not real awe inspiring. It’s also not really a list that is friendly to what can traditionally be defined as rock music for an institution that is supposed to cater to rock music. After having a few weeks to ponder on the nominees; these are my thoughts.

Iron Maiden performing Aces High in Japan

The no-brainer is the aforementioned Iron Maiden. The metal legends have been eligible since 2004 and are just now being nominated for the first time. Getting Metallica and Black Sabbath in as the only metal bands inducted thus far has to help. However, the recent failure of the deserving Judas Priest twice in the past five years also gives reason to not trust the Hall to do the right thing. Iron Maiden is one of the pioneering bands of the “New Wave of British Heavy Metal” from the early 80’s that helped pave the way for bands like Saxon and were a direct influence on classic metal bands like Metallica, Megadeth and Iced Earth as well as more modern ones like Sabaton and Amon Amarth. Outside of KISS, there is probably no other band that is as marketable as Iron Maiden. Their live shows are a spectacle to behold and the 85 million albums they’ve sold with little to no radio or TV support make them the grassroots heavy metal champions of all time. This band is bigger now than they were in their 80’s heyday. Do the right thing R&RHOF. I know you haven’t been historically kind to including metal bands but this one should not even be up for debate. Although, with their denial of Judas Priest recently, I won’t hold my breath.

Iron Maiden performing Phantom of the Opera in England

Tina Turner comes in next. She’s already in the Hall of Fame for earlier work, while this nomination focuses on her as a solo artist. She has had a hit song in seven different decades. Few artists, past or present, have the stage presence that she does as a performer as well. Her solo music is kind of all over the place, but her roots are in rock & roll, rhythm & blues and at the end of the day she has sold over 100 million records. She once held a record for the largest paying audience for a solo artist at over 180,000 fans. She should join Stevie Nicks as the next woman to be inducted a second time.

Tina Turner covering The Who

The Foo Fighters are an intriguing candidate for induction. Front man Dave Grohl is like the biggest rock nerd in rock history, even bigger than myself. Even with his outspoken politics aside he seems like one of the most down to earth guys as well. A common man’s rock star perhaps. Is his band groundbreaking? Probably not. Can you definitively say they have changed rock music? No, not really. However, over the scope of their careers, they have maintained their status as one of the biggest rock bands in the world. There hasn’t really been a dip in their popularity. They still fill stadiums to this day. Their live performances are phenomenal. The ability to replicate what you are selling live should matter and they absolutely are a better live band than they are a radio band. The album sales are there. The live show is there. The staying power is there. I would include Foo Fighters and Dave gets in for the second time after previously being inducted with Nirvana.

Up next is Fela Kuti. While his music is not rock & roll, per se, he was a pioneer of the Afrobeats genre; blending jazz, funk, psychedelic and traditional Nigerian music to create his sound. His legacy to this music is second to none on this list of nominees. For that alone, he should be on the shortlist to be inducted.

Carole King has written 118 songs that have made the Billboard Charts. But, she is already in the Hall of Fame as a songwriter. Should she get in, this time, as a performer? That’s where the debate comes in. She is considered a soft rock artist and she’s got the career to back it up. It may not be my cup of tea, but you’ll get no argument here if she is inducted.

Dionne Warwick isn’t really a rock singer either, but the woman has charted 56 Hot 100 pop singles on the Billboard Charts.But her very early music contains a lot of the same elements that became rock music later on. She meets that credential as well as her staying power. If being exclusive to rock is not a prerequisite for inclusion, it’d be hard to argue against her.

Rage Against the Machine are another tricky candidate. They are relatively newer for induction. Their blending of metal and elements of rap and hip hop would pave the way for the future genre that became nu-metal and featured bands like Limp Bizkit and Korn. This is the third time they’ve been nominated, but their outspoken politics that carry weight in the music community could finally carry them over the threshold this year. I’m not convinced that the music does that for them. While they made some impact, they were a band for a relatively short period of time and their album sales aren’t overly impressive. I’d be fine with them getting in and completely indifferent if they don’t. Artists like Ted Nugent and even Kid Rock have been much more impactful for a longer stretch of time and won’t be nominated, simply because they have the wrong politics. Bands like Korn and Limp Bizkit were bigger than Rage but will likely not ever be nominated either. My beef isn’t really with RATM, it’s with the fact that they are largely only being force fed as a nominee due to their “message”.

Since the precedent has been set with rap artists being inducted into the Hall of Fame with the two kings of rap 2-Pac and The Notorious B.I.G. both recently being inducted, I’m inclined to hear arguments for Jay-Z. While, nowadays, he’s more well known for riding the coattails of his wife and kissing Barack Obama’s butt, Jay-Z was one of the next wave of rappers that ushered in the post-Biggie and Pac era of rap. His album The Life and Times of Shawn Carter: Volume 2 was a huge success and spawned several hit tracks. He has sold nearly 40 million records, which puts him higher than most of the people on this list. I’m a staunch anti-rap in the R&RHOF guy, but since we’re already doing it, this is one that makes sense.

The Go-Go’s were a new wave rock band formed in the late 1970’s. They were the first all-female band to top the Billboard charts. Rare and groundbreaking, check. Outside of a few years of popularity, though, they miss the mark as far as staying power and their album sales aren’t huge. I won’t protest their induction, unless it comes at the expense of Iron Maiden, but they would be a borderline inductee for me.

Todd Rundgren has also been nominated twice before. His biggest influence has been as a music producer. His solo career has been very long and experimental, but not necessarily groundbreaking. Thankfully, he’s not bothered by the Hall of Fame, because I’m not sure that the third time for induction is a charm for him either.

The New York Dolls were an early underground band that were heavily influential on early glam bands like Twisted Sister. One of the first punk bands on the scene, their time was fairly short lived and really achieved no success commercially. Their biggest impact is more likely to have come from the bands that they influenced. I won’t complain if they get in, but also won’t cry if they don’t.

Rapper LL Cool J gets nominated, seemingly, every year. Every year he doesn’t get in. While he was cool when I was a kid, and I actually prefer him as an actor, I don’t think he makes it. I’m still not convinced that rap should be included in this Hall of Fame and if it does he doesn’t quite make my very short list of those who should.

R&B artist Mary J. Blige has been nominated as well. Dubbed the Queen of Hip-Hop Soul with her ability to blend rap and R&B, you’d be hard pressed to find another female artist that has been as instrumental to modern day rap music than Blige. Ultimately, I don’t believe she should be inducted into the rock hall of fame, but an R&B one without hesitation.

Akron, Ohio’s Devo were another new wave type rock band that had some radio success but are a fringe candidate for induction. They’ve been around since 1973 but are largely known for one song. I do not anticipate them making the cut.

Oh, Chaka Khan. I feel like she’s been nominated like eight times and never gotten in. While she may be the Queen of Funk, and funk is much more related to rock than some of the other stuff in the Hall of Fame, there aren’t many artists that I could be more indifferent to. She doesn’t move the meter for me. Maybe she’ll get a lifetime achievement award or something.

Pop star Kate Bush rounds out the group of this year’s nominees. She’s a pretty big deal on the other side of the pond in England, her home country, with many charting songs but isn’t necessarily a household name here. That doesn’t disqualify her, necessarily, as it isn’t the American Rock & Roll Hall of Fame. With that said, however, I do not anticipate her being inducted. To each their own, but, no.

Sound off in the comments! Let me know what you do or don’t agree with. Who’s too high? Who’s too low?

Iron Maiden performing in Cincinnati, 2019. Photo by Chad J. Hobbs

Remembering Dio

It’s been ten years since the heavy metal world lost one of it’s greatest icons. By all accounts from those who knew him, Ronnie James Dio was one of the “good guys” of rock & roll. When I first began my journey into discovering heavy music, I was well aware of “Rainbow in the Dark” and “Holy Diver” from my VH1 Classic video binges. And I certainly knew of the kickass “Man On The Silver Mountain” from all of the classic rock radio that I listened to.

It took Ronnie’s passing for me to dig deeper into his career. I knew that at one point he fronted Black Sabbath, but wasn’t familiar with that incarnation of the band at all. The day that Dio died, a friend of mine that was a big fan, had a memorial style bonfire/celebration of music with myself and a couple other friends. It was that night that I heard “Heaven and Hell” for the first time.

In the following weeks I was able to start piecing together the rest of his career and found a lot of amazing music. But more importantly, I began to see how much he meant to so many other bands and the metal community in general. One of my favorite memories of seeing Iron Maiden that summer was when they dedicated “Blood Brothers” to Dio’s memory.

On the Mount Rushmore of heavy metal vocalists, Dio is firmly on there with Dickinson, Halford, and Ozzy. Fully aware, now, of his legacy on heavy music; I present to you my ten favorite tracks in the Dio catalog.

#10. The Mob Rules (Black Sabbath – 1981)

 

#9. Stand Up and Shout (Dio – 1983)

 

#8. Neon Knights (Black Sabbath – 1980)

 

#7. Last In Line (Dio – 1984)

 

#6. Children of the Sea (Black Sabbath – 1980)

 

#5. Stargazer (Rainbow – 1976)

 

#4. We Rock (Dio – 1984)

 

#3. Holy Diver (Dio – 1983)

 

#2. Heaven and Hell (Black Sabbath – 1980)

 

#1. Man on the Silver Mountain (Rainbow – 1975)

 

And there it is. While it was hard to leave off songs like “I” and “Rainbow in the Dark”; this was ultimately what I narrowed it down to. Share your thoughts in the comments if you agree or disagree. More importantly, add these iconic tracks to your playlist!

Iron Maiden turns 40

Today, April 14, 2020 sees the self titled debut album from metal legends Iron Maiden turn forty years old. We’ll examine the record track by track to see how it measures up.

As a debut goes, the record does its primary job right off the bat. One look at the cover probably did exactly what it was intended to. Circa 1980, one look at Eddie probably either scared you away or piqued your interest. Relatively unknown outside of England at the time, this was their first real chance to make an impression to the rest of the world.

Clocking in at just over 40 minutes, it’s a pretty standard length record for the times, although it’s a much more frantic pace than their recent releases. While I disagree with many assessments that liken early Maiden to punk, their sound on the first two albums with Paul Di’Anno on vocals is much different than the sound they’d become famous for years later.

The opening track is “Prowler” and is a smack to the face. It features elements that will later become their feature sound, albeit with Di’Anno’s more gruff voice. As for being the introductory song for the group, it’s a classic. It’s meant for Di’Anno’s vocals though, so sadly it’s time of being played live is probably over.

“Remember Tomorrow” follows and is quite honestly one of the most underrated songs in Maiden’s illustrious catalog of music. It very well could be Di’Anno’s greatest performance with the band before he was replaced by Bruce Dickinson. Seldom played live, it’s an absolute treat when it is. It is so unique when compared to the rest of their stuff.

The first hit off the record is the third track. “Running Free” is about as essential to their catalog of music as it gets. The single charted at 34 in the UK. The live version from 1985’s “Live After Death” recording is the absolute best with crowd participation. This fun song still gets played regularly when the group is touring.

The fourth track is without question the defining song of the Di’Anno era of the band. “Phantom of the Opera” is in your face from the opening get go and doesn’t let up for over 7 minutes. The musicianship on this one is phenomenal and is the first “epic” in a long line of “epics” that the band would go on to be known for. The entire band is at their absolute best on this one. It still gets played live regularly and for good reason. This one simply captures everything that they do well and is a precursor to where they’d end up fifteen records later. Turn this one up all the way!

All of that concludes the first side of the record. Side 2 opens up with an iconic jam that is entirely an instrumental piece. “Transylvania” is another one that has the vintage Maiden sound, and I’d love for it to be played live. That won’t happen, but the song is just the first of a few great instrumentals that they band would go on to release over the years.

“Strange World” follows and is another underrated Di’Anno gem. The song has a mellow opening, followed by a brief wailing guitar solo, and along with the aforementioned “Remember Tomorrow”, one of Di’Anno’s greatest vocal achievements. The track also foreshadows the progressive rock elements that would later become staple but in the early years were not as common for them. An absolute killer that I’ve yet to see performed live, but would love to.

The second single from the album follows, and as is usually the case with me and this band, it’s not one of my favorites. It’s not that the song is bad by any means. However, the first six tracks are what I’d call definitive Maiden songs. This one doesn’t meet that bar for me. What do I know though? It charted at 29 in the UK as the better performer of the two singles. It jams, but “Sanctuary” falls short for me of the six songs before it.

The next song is also one that I could do without. It has a fun opening and has some good rhythm work. Songs about ladies of the night are a tough sell for me I suppose. “Charlotte the Harlot” is a good play on words and the breakdown midway through is quite enjoyable and has some good vocals. Once again, it just doesn’t measure up to tracks 1-6. However, it would spawn a sequel a couple albums later that is flat out brilliant. So, I’ll give credit where credit is due.

The self titled album ends quite fittingly with the self titled track, “Iron Maiden”. In a sense the song may be a tad overrated. Simply because if you go to an Iron Maiden show you two things are for certain. One of them is that this song will be the closer to their main set. The second is that is when we will get an appearance on stage from the infamous Eddie that adorns each of their record covers. He will either be in classic Eddie form or reimagined to fit whatever “new” album the band is touring on. It is an absolute essential song to the band and as mentioned before is forever locked in to the live set. Watch the crowd reaction to this one!

Overall, this record is an iconic debut for an iconic band. Tracks 7 & 8 are the weakest in my opinion and one of those is the highest rated single from the album. That means it’s in pretty good shape. The overall grade for 1980’s Iron Maiden is a solid A! It is one of the early records that would shape heavy metal for the next four decades and counting.

Iron Maiden make triumphant return to Cincinnati

Twenty three years. Twenty three years had passed since the last time that Iron Maiden played in Cincinnati, Ohio. A lot has changed since 1996. Bill Clinton was president. Jeff Blake was playing quarterback for the Bengals. I was a ten year old boy that had not yet discovered Iron Maiden. That was a long time ago.

Like a lot of their classic metal brethren, the mid nineties were not kind to Maiden. Lead singer Bruce Dickinson and guitarist Adrian Smith had long left the band to focus on other projects, certainly fatigued by the demands of being in Iron Maiden in the 1980’s had put on them. The version of the band without Dickinson or Smith played in a small club in Cincinnati. My, oh my, how times have changed since then.

A couple years later, the classic Maiden members would rejoin the band, write a modern metal masterpiece in Brave New World, and reclaim their throne at the top of the heavy metal mountain. The rest is history as the band has released several more fantastic albums and embarked on absolutely legendary world tours.

As we fast forward to Thursday night in the Queen City, the buzz surrounding the Legacy of the Beast World Tour has been the talk of the rock and metal community. The reviews have been phenomenal. Coming from publications and radio stations that have never paid any mind to this band and sound like fools as they are just now discovering the band that has absolutely set the standard for live metal music for the past four decades. This point has not been lost on Dickinson, who made sure to have some fun at Rolling Stone’s expense.

Over 15,000 Ohio metalheads descended onto Riverbend Music Center in Cincinnati to celebrate the Legacy of the Beast with Eddie and the boys. As is custom, UFO’s “Doctor, Doctor” blared over the PA system, alerting all in attendance to get back to their seats in earnest. When the lights dimmed and the familiar sound of Churchill’s Speech began, there was no doubt that “Aces High” would be the song to get the show going. That wasn’t a big shocker, as the band uses the song to open fairly frequently on non-album tours. However, while the song choice wasn’t surprising, the airplane that ascended over the stage during the song about warfare from the skies would be only the first awe-striking moment of the performance.

For the next two hours, the band would take the massive crowd on a journey through war, good and evil, and a whole lot of pyro. All of the big “hits” were present which is fun for the fans. The set list chosen for this tour featured plenty of rarely played gold as well for the true diehards. The first of those rarer songs was the second song of the night. “Where Eagles Dare” is perhaps Maiden’s greatest percussion piece that they’ve created and even as he creeps towards 70 years of age, Nicko McBrain absolutely owned the stage during the song behind his drum kit.

 

Everything about the show was Maiden at it’s absolute best. And while Dickinson assured the crowd that they’d be back soon with new music, I honestly have no clue how the six piece band will ever be able to top this tour. The band sounded even better than they did on any of the previous six times I’ve seen them perform. Dickinson in particular seems to have found new life on his legendary voice. The Air Raid Siren is back and better than ever.

Of course Eddie made his two expected appearances, but it was the backdrops and other effects that make this the absolute must see tour of the year. During “Flight of Icarus”, which they notoriously haven’t played live since the 80’s, the stage was enhanced with a giant Icarus while Dickinson ran around with flame throwers. The stained-glass themed back drop during the religion portion of the show is the greatest imagery I’ve ever seen at a concert. There was lots of pyro. There were fireworks. Dickinson had countless costume changes. This was a vintage Iron Maiden concert times ten. I’ve seen them with a tank on stage during the A Matter of Life and Death Tour. I’ve seen the ship during “Rime of the Ancient Mariner”. I’ve seen the epic Seventh Son of a Seventh Son themed “big” Eddie. Those were all great and a spectacle to behold. THIS BLEW EVERYONE OF THOSE AWAY.

None of that would matter though if the music sucked. Thankfully, it didn’t. From the chug, chug-a-chug of “Icarus” to the long Maiden epics and everything in between, this band has always been about the music first. That’s how a band with no airplay has been able to build the empire that it has. The connection that the band has with its fans is second to none. All three guitar players (Smith, Dave Murray, and Janick Gers) traded off flawless solos all night. Bass player Steve Harris’ right hand seemingly never was any slower than 100 mph and Dickinson beckoned the crowd to “Scream for me Cincinn-at-iiiiiiii!” no fewer than twenty times. It was glorious. As expected.

What wasn’t expected was songs like “Sign of the Cross”; “The Clansman”; and “For the Greater Good of God”. Absolute epics that mandate crowd participation took this setlist to a whole new level. Then you throw in gems like “Where Eagles Dare” and “Revelations”? Unbelievable. Of course, the greatest metal song ever written (“Hallowed Be Thy Name” duh…) being back in the set always helps as well.

Now that Cincinnati has been treated, let’s hope Columbus will get a visit for the first time in 15 years in 2020?

Iron Maiden Setlist Cincinnati, OH 8/15/2019

  1. Churchill’s Speech/Aces High
  2. Where Eagles Dare
  3. 2 Minutes 2 Midnight
  4. The Clansman
  5. The Trooper
  6. Revelations
  7. For the Greater Good of God
  8. The Wicker Man
  9. The Sign of the Cross
  10. Flight of Icarus
  11. Fear of the Dark
  12. The Number of the Beast
  13. Iron Maiden

        *Encore*

    14. The Evil That Men Do

    15. Hallowed Be Thy Name

    16. Run to the Hills